Impersonations: The Artifice Of Brahmin Masculinity In South Indian Dance

Impersonations: The Artifice Of Brahmin Masculinity In South Indian Dance
by Harshita Mruthinti Kamath / / / PDF


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At publication date, a free ebook version of this title will be available through Luminos, University of California Presss Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (womans guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundariesvillage to urban, Brahmin to non-Brahmin, hegemonic to non-normativeto explore the artifice of Brahmin masculinity in contemporary South Indian dance.

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