Viral Dramaturgies: Hiv And Aids In Performance In The Twenty-first Century

Viral Dramaturgies: Hiv And Aids In Performance In The Twenty-first Century
by Alyson Campbell / / / PDF


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This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry the unequal access to treatment and prevention technologies in the Global North and Global South the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’ the criminalisation of HIV non-disclosure and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV. This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences generations, memories and temporalities inter/national narratives and artistic and personal reflections and interventionsThis book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial ts of the pharmaceutical industry the unequal access to treatment and prevention technologies in the Global North and Global South the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV the tension between a damaging cultural amnesia and a potentially equally damaging partner AIDS nostalgia the criminalisation of HIV non-disclosure and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV.

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